Mike Thrasher Presents

Friday, May 16, 2008 at Showbox SoDo
click for full-page printable poster
(click for full-page printable poster)

Hip Hop

Kube 93 FM Presents
D. Black
DJ Nphared

Friday, May 16, 2008
Showbox SoDo 206-628-3151
1700 1st Ave South, Seattle, WA (MapQuest)
9pm (doors open at 8:30pm). All Ages.
$37.50 advance tix from Ticketmaster.
$40.00 at the door.

Despite his flair for dramatic overreaching, or perhaps because of it, Nas became New York's favorite rapper in the mid-'90s and remained near the top for over a decade. Rivals and time challenged his stay at the top of the New York rap scene -- one of the more notable challenges being his bout with Jay-Z in the early 2000s -- yet Nas soldiered on, continually changing his style and stepping up his game. Over the years, Nas went from being a young street hustler (Nasty Nas) to a boastful gangsta (Nas Escobar) to a self-proclaimed poet/prophet (Nastradamus) to a re-born encapsulation of himself (the "Stillmatic" Nas). In addition, he worked with countless legendary producers -- DJ Premier, Large Professor, Pete Rock, Dr. Dre, Trackmasters, Timbaland -- and put Queensbridge back on the map.

Columbia signed him to a major-label contract and all of New York's finest producers wanted to work with him. For the next two years, everyone waited as rumors began to swell. When word hit the street that he was working with DJ Premier, Large Professor, and Pete Rock-- New York's top producers in the early '90s -- anticipation grew exponentially. Finally, Illmatic hit the streets in April 1994 and didn't disappoint. With only ten tracks, the album wasn't overly long and had virtually no lackluster moments -- a flawless album.

Nas took some much-needed time off before returning in 1999 with two albums released only months apart: I Am...The Autobiography and Nastradamus . With these two similar albums, Nas moved further away from the heartfelt and lyrically driven approach of Illmatic in favor of the pop hooks that had made "If I Ruled the World" and "Street Dreams" crossover hits. The second single, "Hate Me Now," bitterly addressed his growing legion of critics. More troubling though, the song featured Puff Daddy, symbolic of the pop-rap style Nas had aligned himself with.

Nas was no longer viewed as the prodigy he had been five years earlier and was now seen as a rather generic New York MC. This became perhaps most apparent when he resurfaced in 2001 with the QB Finest album, which sold few copies and generated only one substantial hit, the X-rated club track "Oochie Wally." Even so, Nas had begun to take his career in a new direction with QB Finest, establishing both his own label, Ill Will, and his new posse, Bravehearts. Moreover, he was no longer collaborating with the likes of Timbaland and Puff Daddy; he had returned to the streets to Queensbridge, where he began.

During summer 2002, Nas infiltrated the pop market, dueting with Brandy and Jennifer Lopez.

God's Son, rated a 4 mic album by "The Source", has established that Nas is on the streets for good! Critics went as far enough to say that it picked up where Illmatic left off. God's Son shows the painful side of Nas through song's like, "Dance" and "Heaven", dedicated to his deceased mother, Ann Jones. He takes it further to the streets with "Made You Look" the album's lead single, produced by Salaam Remi. Agressive and new yet with an old school vibe it makes the perfect lead single. He also has something for the kids! Instead of having a gangsta or playa cliche type song for the second single, the much inspiring, I Can, teaches kids, adolcents, and adults lessons on how to live a succesful life. Nas also declares his relationship with, Pop/R&B artist, Kelis in songs like "Hey Nas" and "Mastermind". All around God's Son is a commercial classic! Though it lacks the street grime of Illmatic it is an exqusite follow up album to Stillmatic!


Site Registration
Subscribe to the E-List